By Rachel Batch
Auxiliary nurse Alma Clarke began her service at the American Red Cross Military Hospital No. 1, located just outside of Paris, at Neuilly-sur-Seine, on November 4, 1918. Alma’s work was in Ward 319 of Military Hospital No. 1, which was one of eight hospitals in and near Paris during the Great War, and among the 24 hospitals the Red Cross operated in France. Begin a tour of her memories by seeking the six highlighted areas in the following photograph of the hospital, formerly a school, the Lycée Pasteur…
In a scrapbook Alma collected artifacts for remembering her work. Photographs of the hospital’s exterior grandeur, its interior wards occupied by wounded French and American soldiers, and group portraits of nursing staff convey a sense of her pride at the accomplishments of this crucial and complex organization — simultaneously connected to the western front by ambulance drivers, and connected to the home front by its staff of medical volunteers and financial donations. Explore Alma’s memories of the hospital’s interior wards by seeking eight highlighted areas in the photograph of the hospital’s courtyard…
Alma Clarke preserved her memories of Hospital No. 1 while she cared for her patients. She shared blank pages of her scrapbook with those wounded soldiers, several of whom added poems, sketches, and notes about themselves. Sometimes humorous, sometimes chilling, these contributions add to her own collected memories, and through them, we might “see Alma.”
Explore what Alma intended never to forget by seeking the five highlighted areas of the image below.
About Touring Memory at the American Red Cross Military Hospital No. 1
This interactive digital project incorporates several forms of historical evidence (photographs, handwritten notes, memoir, songs) to “tour memory” at an American Red Cross military hospital located in Neuilly-sur-Seine, a suburb of Paris, France, and during the Great War’s years. Today’s visitors to the hospital (via this project) can explore the work of the hospital, enter its interior wards, and perhaps meet a volunteer nurse, Alma Clarke, who compiled in a scrapbook these memories we are touring.
Alma Clarke was an auxiliary nurse for the American Red Cross during WWI and arrived at Military Hospital No. 1 seven days before Armistice. During her service and care to the patients at the hospital she kept a scrapbook and from which all photographs, sketches, and handwritten notes in this digital project come. In it, she included few images of herself. We might guess that she choose to collect memories of her role in the hospital as but one of many more volunteers – medical and enlisted personnel – and as part of a complex organization in the war effort, and certainly to heal. We might also guess that she wanted to remember as many details of the hospital as she could (as seen in her scrapbook’s multiple photographs captioned in her own hand), about her service among the nursing staff and surgeons, and about those many soldiers she met as patients. Visitors to “Touring Memory” can find in three large images (image maps) many more memories. By selecting the highlighted areas in each, we can progressively dive deeper into how Alma Clarke represented her memories (how she choose to remember) and with them, remember the work at Military Hospital No. 1.
The first image map, “Tour and Explore Alma’s Collected Memories,” suggests how a visitor might be impressed by the site of the hospital, the Lycée Pasteur, and its grand exterior (perhaps just as Clarke herself was impressed in 1918.) In the photograph are six highlighted areas, the hospital’s designated entrances, to begin an exploration of the medical work of war. Supplementing the photographs taken from the scrapbook are other visitors’ contemporaneous accounts: from a surgeon, visiting nurses, an observer who wrote about Red Cross activities in France, at Hospital No. 1 and its ambulance service. It is doubtful Alma knew these people (their time at the hospital preceded hers), however their accounts help to narrate, through memory, the hospital’s organization and its care for the wounded.
Next, the image map, “Explore the Interior of Military Hospital No. 1,” pictures the hospital’s inner courtyard (in it are eight images), so that we may enter several interior wards and see the daily functioning of the hospital, its order and cleanliness, recuperating soldiers, and the corridors and rooms that volunteers like Alma walked in and worked in. Placement of the highlighted areas, such as the “Boston Ward” or the “Jaw Ward,” does not always designate the historically accurate locations of the interior views. Instead, locations were approximated based on Alma’s handwritten captions (“second floor corridor” – but which wing of the hospital?), by using the size of the windows, or other visual information contained in the photograph, e.g., what can be seen through the windows or the interior structure of the room. The “evacuation ward” and the locations of the courtyard and where the ambulances were parked are accurately located in the image maps.
The final image map, “Seeing Alma,” attempts to create a reflection of her through the handwritten notes of others – particularly those patients she cared for. She asked patients at the hospital to record in her scrapbook their name and rank, where they were wounded, and how. A sampling of these notes can be found in the final large image, an illustration from Clarke’s scrapbook of a Red Cross nurse protecting a wounded soldier from death. “Touring Memory” includes only two images of Alma – a blurry photograph and a sketch – to encourage exploration of what Alma wished to remember in her scrapbook, and to encourage a “visitor” to Alma’s memories to “see” her, as did her patients in 1918.
Taken as a whole, “Touring Memory” reveals layers of memories to investigate space, place, and the act of remembering. The first layer reveals a social history of the medical work of war at Military Hospital No. 1. Who performed this work? How was it accomplished? We may gain a sense of the hospital’s wards and workings, as well as its specialization, such as attending to facial injuries in the “Jaw Ward,” but we do not see all work, like those who mopped the floors or cooked patients’ meals. A second layer of investigation encourages visitors to think about how Alma Clarke’s scrapbook is a credible, “insider’s” view (Alma’s), yet we are exploring collected memories: selected, subjective, and of what she wished to remember (or what artifacts she had available to remember.) Similarly, “Touring Memory” contains only 27 selected images from her scrapbook’s 178 digital pages. While the images taken from it are representative of its contents (photographs, sketches, handwritten notes), its layers of meaning designed here for a “visitor” to explore and “tour” are certainly not all that might be gained from Alma Clarke’s preserved recollections. Thus, a third layer of memory is this project’s own reconstruction of remembering a hospital’s crucial work during World War I.
All images – photographs, handwritten notes, sketches – are reproduced from Alma Clarke’s “English WWI Scrapbook,” preserved in its original form and available digitally at Bryn Mawr College. Courtesy of Bryn Mawr College Special Collections.
“More memory” – in the form of typed excerpts – was drawn from three memoirs and published reports written by visitors and volunteers at Military Hospital No. 1 during the years 1914-1919. The complete accounts are available digitally from the U.S. National Library of Medicine’s Digital Collections, Archive.org, and JSTOR:
Church, James Robb. The Doctor’s Part: What Happens to the Wounded in War. New York: D. Appleton and Company, 1918. http://collections.nlm.nih.gov/bookviewer?PID=nlm:nlmuid-14130360R-bk
Dock, Lavinia, et.al. History of American Red Cross Nursing. New York: The MacMillan Company, 1922. https://archive.org/details/historyofamerica00dock
Hungerford, Edward. With the Doughboy in France: A Few Chapters of an American Effort. New York: The Macmillan Company, 1920. http://collections.nlm.nih.gov/bookviewer?PID=nlm:nlmuid-01110540R-bk
Judd, James R. With the American Ambulance in France. Honolulu: Star-Bulletin Press, 1919. http://collections.nlm.nih.gov/bookviewer?PID=nlm:nlmuid-01120180R-bk
K. K. and M.E.H. “Experiences in the American Ambulance Hospital, Neuilly, France,” The American Journal of Nursing 15, no. 7 (April 1915): 549-554. https://archive.org/details/jstor-3404888
Two WWI-era songs, “Au Revoir but Not Goodbye” and “Oui Oui Marie,” are courtesy of “Popular Songs of WWI.” USCB Cylinder Audio Archive. University of California Santa Barbara Library.
Visitors to “Touring Memory” may also be interested in another on-line project, “Home Before the Leaves Fall, The Great War 1914-1918,” and specifically its page about Alma Clarke’s scrapbook. Several digital articles relevant to understanding subjects and sources used in “Touring Memory” include American Red Cross activities in France, WWI photography, and a history of scrapbooking, all available as part of Villanova University Falvey Library’s “Remembering World War I.”
Acknowledgements: Thank you, Professor Deb Boyer, for being able to imagine my envisioning of a “tour” and your suggestions of helpful digital tools to do so. At Villanova’s Falvey Library thanks go to David Uspal for finding hidden code (and deleting it) and Laura Bang for teaching me care in the digital preservation of archival materials. Final thanks are to all graduate students in Fall 2015’s “Digital History” course for their semester-long collaboration and creativity.